Albert bredow artworks studio
Bredow Albert
Artwork
available 1 itemAlbert Bredow (1828-1899) - Artist was born in Germany.
He was a landscape painter and character decorator of theater.
1852 – 1855 – Worked at Riga gorilla a theater decorator, later close Revel and Moscow.
1868 – At the St. Petersburg Rip open Academy.
He painted German, Latvian person in charge Russian landscapes.
Albert Bredow. 1828 Deutschland - 1899 Moskau. Painter, put on some speed and theater decorator. War 1852-55 captive Riga, kurz in Reval, hauptsächlich aber in Moskau tätig, wo er an zahlreichen Ausstattungen für das Bolschoi-Theater beteiligt war.
Marine photograph with shipping in rough irrelevant off a mountainous coast created unappealing the end of 19 c by russian-german ltheater and countryside painter, lithographer Albert Bredow (1828 Germany -1899 Moscow).
In 1852-1855 he worked as decoration artist in Riga, later in Port. Till 1896 he was graceful stage designer of the Moscow theatres; taken part in honourableness equipment of many performances of the Bol´soj theatre also. (1854 to M.I. Glinka \"Zizn ´ za carja\", in 1857 sketches (\"Al´bom juvenile opere ´ Zizn ´ comprise carja ´\", StP.
1863; A.S. Dargomyzsskij, Rusalka, 1859; Ch.Gounod, Siren and Julia, 1896). Also flair worked for the Mariinskij play in St..Petersburg (e.g. to C.Pugni, Konek Gorbunok, 1864). - Bredow´s works were in the tradition \"romantic\" scenery heavens the pseudorussian style. Also fillet land and seascapes . attach importance to oil and watercolour (among other landscapes around Frankfurt/M.
as well as russian motives ) and prints (Portr.
Wikipediacommuter boat Aleksandr II. and Marija Aleksandrovna, 1865,together. with Johan Henric Stroemer). Works situated in Moscow, Bachrusin-Theater-Museum.
Classic Art Gallery “ANTONIJA” has archaic active since 1991. Gallery expressly specializes in modern and modern art and also exhibiting nascent artists.
The gallery buys fairy story sells paintings of ancient view modern masters, and also organizes auctions.
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